Since the beginning of 2012, version 4 has been released as a publicly available beta version. Version 3 supports automated and synchronized Beatmatching, automated loops, digital Scratching, Recording as well as automatic gain control (AGC). New features included the ability for the user interface to scale gracefully at various resolutions, graphical waveforms, and the possibility to switch between two different operating modes – a single or double playlist view. UltraMixer 3.0 was announced near the end of 2008 and released in November 2010. Version 2.2 introduced silence detection, and version 2.3, the ability to directly access an iTunes playlist. Since then, the list of supported MIDI controllers has been steadily increasing. In version 2.1, the ability to record as well as support for MIDI-devices was introduced. Features such as the 31-Band-Equalizer, looping, time stretching, and real time effects, such as flanger, (cutoff), high and low pass have been supported since the end of 2006. Since early 2006, the software has implemented the Replay-Gain Algorithm. New versions of UltraMixer are released roughly every month or two. Significant changes to version 1 has been a complete user interface revamp. Version 1 was free of charge, and the very first commercial version, 2, was published as a first beta version in October 2005. The main goal of the development was Usability. UltraMixer has been actively developed since 2002 by Tobias Bley and Matthias Hänel. Version 5 is available in four different "flavors" (Home, Basic, Pro and Entertain), each with different functionality. Since version 4.1 the software is fully MIDI compliant and can be used with any available MIDI controller. Supported languages are English, German, Dutch and Japanese (as of May 2014). Furthermore, the software can be used to record a live set. Besides audio formats like MP3, AAC, FLAC or M4A, video files and Audio-CDs can also be played. It can efficiently be used to search and organize tracks and play lists. The user interface has a file manager called file archive as its central working area. A 3 or 31-band equalizer is available to allow the output signal to be tuned to best fit a particular room. Time stretching allows two tracks with different speeds to be normalized to each other while preserving the tone pitch. The software can also apply effects to a track. The music tracks can be adjusted in real time Mixer, crossfader and optional beat matching which ensures seamless blending during track transition. The software works as a dual player with two independent controllable decks.
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